We acknowledge the Gadigal and Birrabirragal people, the traditional custodians of the land on which we primarily work and Custodians of Country wherever our projects take place. We also acknowledge First Nations Custodians of Country throughout Australia and their continuing connection to land, waters, culture and community and pay our respects to Elders past, present and emerging. Sovereignty was never ceded.

Projects


Public art curator for North Sydney + Macquarie Park sites Stockland projects
Summer Festival Curator | Australian National Maritime Museum
PUblic Art co-Curator for Barangaroo undercroft site LendLease

Mural by Sharon Billinge, Percival Lane, Rose Bay. Co-curated by Holly Williams and Melissa Cook

co-curator | Rose bay Placemaking + mural : Percival Lane

Detail of mural by Claire Foxton at Wilberforce Carpark, Rose Bay. Co-curated with Melissa Cook, Caper Creative

Co-Curator | Rose Bay Placemaking + Mural : Wilberforce Ave

Collins Lane, Rose Bay - curation and design by Holly Williams and Melissa Cook. Mural by Alice McAuliffe

Co-curation + Design | ROse Bay placemaking + Murals : Collins Lane

Percival Park plantings designed by Holly Williams with IndgiGrow. Eastern Suburbs Banksia Scrub species supplied and planted by IndgiGrow. Base landscaping by Flametree Gardens. Beach Bollard paint treatment devised by Holly Williams and Melissa Cook. Designed by Melissa Cook, Caper Creative

Lindy Lee ‘One Bright Pearl’ 2022, Blackburn Gardens. Photo: Steven Seiwert

Co-curation + Design | rose Bay Placemaking: Percival Park
The Wharfie's Mural display - National Maritime Museum | 2022-
Curator - Lindy Lee Public Art Commission: Blackburn Gardens | 2021-22
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PUBLIC ART PROJECTS: BARANGAROO | 2017 | 2020-ongoing
 
Prophecy & Chance: behind the lines 2021 | Dec 2021 - Nov 2022
 
Exhibition installation view

Exhibition installation view

Australia's Public Service | Permanent exhibition 2021-

Quadrant 3 by Richard Whiteley

Richard Whiteley: Illuminated Space | Shanghai Museum of Glass, CHINA | APril-OCt 2019
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Working Model of the world (NEW YORK) | 2017
Heidi Lefebvre's installation at UQ Art Museum

Heidi Lefebvre's installation at UQ Art Museum

Look at me looking at you - the 2017 National Self Portrait Prize | 2017
A Dog’s Breakfast ‘What the Pup?!’ by Cathy Wilcox

A Dog’s Breakfast ‘What the Pup?!’ by Cathy Wilcox

A dog's breakfast: behind the lines 2020 | n0v 2020-oct 2021
Mechelle Bounpraseuth, Breadface, 2016, ceramic, dimensions variable. Image courtesy the artist.

Mechelle Bounpraseuth, Breadface, 2016, ceramic, dimensions variable. Image courtesy the artist.

Something Else is Alive: Sydney and the Animal Instinct | 2017-18
Sydney's tallest buildings by Richard Braddish

Sydney's tallest buildings by Richard Braddish

A WORKING MODEL OF THE WORLD (SYDNey) | 2017
David Rowe, commissioned cartoon for Behind the Lines 2017, 2017

David Rowe, commissioned cartoon for Behind the Lines 2017, 2017

Three-ring circus: Behind the Lines 2017 | 2017-2018
Abdullah M. I. Syed Weaving Myth VI: U.S. vs China from Flying Rug series 2013

Abdullah M. I. Syed Weaving Myth VI: U.S. vs China from Flying Rug series 2013

Truth, Power and a Free Press | Museum of Australian Democracy

Truth, Power and a Free Press | Museum of Australian Democracy

Truth, power and a free press | Holly Williams contract project - Permanent exhibition at MoAD, Nov 2019
onetoeight - Australia's first prime ministers. Solo exhibition by alison alder

onetoeight - Australia's first prime ministers. Solo exhibition by alison alder

alison alder: onetoeight - Australia's first PMs | 2017-2020
Media Coverage 2015-2017
Writing and publishing 2015-2017
Installation view, artwork Linde Ivimey

Installation view, artwork Linde Ivimey

The Gift: Art, Artefacts and arrivals | 2017-2018
 
Tony Garifalakis, Declassified Document #3, 2014. Enamel paint on magazines, 25 x 18 x 1 cm each. Installation view, Art Gallery of New South Wales, 2015. Image courtesy of the artist and Hugo Michell Gallery, Melbourne © the artist

Tony Garifalakis, Declassified Document #3, 2014. Enamel paint on magazines, 25 x 18 x 1 cm each. Installation view, Art Gallery of New South Wales, 2015. Image courtesy of the artist and Hugo Michell Gallery, Melbourne © the artist

REPERTOIRES OF CONTENTION: TONY GARIFALAKIS AND JOAQUIN SEGURA | 2017
objects in space: artists in the garden | 2016
Yoshua Okón, 'Octopus' (video still), 2011. Courtesy the artist

Yoshua Okón, 'Octopus' (video still), 2011. Courtesy the artist

octopus: yoshua okón | 2016
OVERUNDER SIDEWAYSDOWN | 2016
Rosalie Gascoigne, White Garden, 1995, painted corrugated iron panels on wood, 184 × 177 cm. Private Collection, Sydney

Rosalie Gascoigne, White Garden, 1995, painted corrugated iron panels on wood, 184 × 177 cm. Private Collection, Sydney

The daylight moon: Rosalie Gascoigne and lake george | 2015
Linda Draper, Installation detail, Turn Turn Turn: 50 years of Studio Ceramics tradition at the National Art School

Linda Draper, Installation detail, Turn Turn Turn: 50 years of Studio Ceramics tradition at the National Art School

TURN TURN TURN: The Studio Ceramics tradition at NAS | 2015
Melissa Deerson, Pigeon Project, 2014. Image courtesy and © the artist

Melissa Deerson, Pigeon Project, 2014. Image courtesy and © the artist

runway issue #27 Outside | 2015
Creative accounting, touring exhibition | 2016-17
Frank Gohier, Cowgirl and Ringer (detail) 2004. Artbank collection, purchased 2005. Image courtesy and © the artist

Frank Gohier, Cowgirl and Ringer (detail) 2004. Artbank collection, purchased 2005. Image courtesy and © the artist

Franck Gohier: a thousand miles from everywhere | 2018
Meredith Woolnough, Mushroom Coral Mandala 2013, embroidery thread and pins on paper, 93 x 93cm. Image courtesy the artist.

Meredith Woolnough, Mushroom Coral Mandala 2013, embroidery thread and pins on paper, 93 x 93cm. Image courtesy the artist.

Open House: Tamworth Textile Triennale Touring Exhibition | 2017-20
SES visitor experience
Visitor Experience, SES Headquarters | 2017
Anna McMahon, Untitled # 3 from the series Soft outcomes, 2016, neon, pitcher plants, 30cm x 28cm. Photo: Anna McMahon. Image courtesy the artist.

Anna McMahon, Untitled # 3 from the series Soft outcomes, 2016, neon, pitcher plants, 30cm x 28cm. Photo: Anna McMahon. Image courtesy the artist.

instrinsic properties / inherent vice | 2017
Karla Dickens, Clipped Wings at Murray Art Museum Albury, 2015. Image courtesy and © the artist.

Karla Dickens, Clipped Wings at Murray Art Museum Albury, 2015. Image courtesy and © the artist.

at the junction of two rivers: the wellington project | 2016
university of wollongong hall of fame | 2016
Callum Morton, Monument #29, 2009. Installation view, Sydney Contemporary, 2015. Image courtesy the artist and Roslyn Oxley9 Gallery, Sydney © the artist.

Callum Morton, Monument #29, 2009. Installation view, Sydney Contemporary, 2015. Image courtesy the artist and Roslyn Oxley9 Gallery, Sydney © the artist.

Installation contemporary | 2015
jon rose: the museum goes live, Performance Space's Liveworks | 2016
Photographer: Chu Chian, Images courtesy of Kuandu Museum of Fine Arts

Photographer: Chu Chian, Images courtesy of Kuandu Museum of Fine Arts

the archipelago of ramesh, Kuandu Biennale | 2016
National Visual Arts Showcase: Right Here Now | 2015-16
ransformation of the heritage building Macaria in Camden into an art gallery withDunn + Hillam Architects.

ransformation of the heritage building Macaria in Camden into an art gallery withDunn + Hillam Architects.

Macaria Art Gallery Development, Camden | 2016-2017
Ajit Ninan, Hindtuva to Moditva, cartoon, published Times of India.

Ajit Ninan, Hindtuva to Moditva, cartoon, published Times of India.

Ajit Ninan: Cartoonist to the World's Largest Democracy | 2016
Franck Gohier's paintings and site specific new work commissioned by Justin Hemmes for Merivale's WIP (Work in Progress) Bar, 2014. Image courtesy and © the artist and Merivale. Photo: My Media Sydney

Franck Gohier's paintings and site specific new work commissioned by Justin Hemmes for Merivale's WIP (Work in Progress) Bar, 2014. Image courtesy and © the artist and Merivale. Photo: My Media Sydney

Franck Gohier at Wip bar | 2014-15
John R Walker, Six Days at Bundanon and I Give Thanks to Boyd, 2001, oil on canvas, 183 x 221 cm. Image courtesy Utopia Gallery, Sydney © the artist.

John R Walker, Six Days at Bundanon and I Give Thanks to Boyd, 2001, oil on canvas, 183 x 221 cm. Image courtesy Utopia Gallery, Sydney © the artist.

John R Walker: Here I give thanks | 2015
Artistic Direction, art month | 2015