We acknowledge the Gadigal and Birrabirragal people, the traditional custodians of the land on which we primarily work and Custodians of Country wherever our projects take place. We also acknowledge First Nations Custodians of Country throughout Australia and their continuing connection to land, waters, culture and community and pay our respects to Elders past, present and emerging. Sovereignty was never ceded.

SELECT Projects


Glenn Barkley Skiesful-Treesful 2025-26 working mock up
Installation view of Blak Douglas’ ‘Pirrama positive repetition’ The Rocks. Photo: Katherine Cordwell Photography.jpeg

Installation view of Blak Douglas’ ‘Pirrama positive repetition’ The Rocks, 2025-26. Photo: Katherine Cordwell Photography

Installation image of artwork by Jumaadi called Upside-Down Garden installed at Barangaroo in December 2025. Curated by Holly Williams and Glenn Barkley.

‘Upside-Down Garden’ by Jumaadi at Barangaroo, December 2025. Photography by Mark Pokorny

Installation view of Izabela Pluta's Operative Tectonics at M:Park, Jan 2026. Curated by Holly Williams. Photo: The Curators' Department

Installation view of Izabela Pluta's Operative Tectonics at M:Park, Jan 2026. Curated by Holly Williams. Photo: The Curators' Department

Installation detail EM Lane Concordians Museum Concord Hospital, curated by Holly Williams. May 2025. Photo: TCD.jpg

Installation detail EM Lane Concordians Museum, Concord Hospital, Sydney. Curated by Holly Williams. May 2025. Photo: TCD

Mural by Sharon Billinge, Percival Lane, Rose Bay. Co-curated by Holly Williams and Melissa Cook

Installation detail of Emily Crockford + Rosie Deacon’s Rainbow Mermaid Fireworks. 2023-24 at ANMM. Curated by Holly Williams

Installation detail of Emily Crockford + Rosie Deacon’s ‘Rainbow Mermaid Fireworks.’ 2023-24 at ANMM. Curated by Holly Williams. Photo: TCD

Detail of mural by Claire Foxton at Wilberforce Carpark, Rose Bay. Co-curated with Melissa Cook, Caper Creative

Installation view of Shallow Iridescence 2023-2025. Photo by Sahlan Hayes. Co-curated by Holly Williams  The Curators' Department.webp

Installation view of ‘Shallow Iridescence ‘ by InkHunter 2023-2025. Co-curated by Holly Williams with ANMM. Photo: Sahlan Hayes.

Collins Lane, Rose Bay - curation and design by Holly Williams and Melissa Cook. Mural by Alice McAuliffe

Percival Park plantings designed by Holly Williams with IndgiGrow. Eastern Suburbs Banksia Scrub species supplied and planted by IndgiGrow. Base landscaping by Flametree Gardens. Beach Bollard paint treatment devised by Holly Williams and Melissa Cook. Designed by Melissa Cook, Caper Creative

Lindy Lee ‘One Bright Pearl’ 2022, Blackburn Gardens. Photo: Steven Seiwert

Exhibition installation view

Exhibition installation view

Quadrant 3 by Richard Whiteley

WMW NYC.jpg
A Dog’s Breakfast ‘What the Pup?!’ by Cathy Wilcox

A Dog’s Breakfast ‘What the Pup?!’ by Cathy Wilcox

Mechelle Bounpraseuth, Breadface, 2016, ceramic, dimensions variable. Image courtesy the artist.

Mechelle Bounpraseuth, Breadface, 2016, ceramic, dimensions variable. Image courtesy the artist.

Sydney's tallest buildings by Richard Braddish

Sydney's tallest buildings by Richard Braddish

Truth, Power and a Free Press | Museum of Australian Democracy

Truth, Power and a Free Press | Museum of Australian Democracy

Heidi Lefebvre's installation at UQ Art Museum

Heidi Lefebvre's installation at UQ Art Museum

Tony Garifalakis, Declassified Document #3, 2014. Enamel paint on magazines, 25 x 18 x 1 cm each. Installation view, Art Gallery of New South Wales, 2015. Image courtesy of the artist and Hugo Michell Gallery, Melbourne © the artist

Tony Garifalakis, Declassified Document #3, 2014. Enamel paint on magazines, 25 x 18 x 1 cm each. Installation view, Art Gallery of New South Wales, 2015. Image courtesy of the artist and Hugo Michell Gallery, Melbourne © the artist

Rosalie Gascoigne, White Garden, 1995, painted corrugated iron panels on wood, 184 × 177 cm. Private Collection, Sydney

Rosalie Gascoigne, White Garden, 1995, painted corrugated iron panels on wood, 184 × 177 cm. Private Collection, Sydney

Linda Draper, Installation detail, Turn Turn Turn: 50 years of Studio Ceramics tradition at the National Art School

Linda Draper, Installation detail, Turn Turn Turn: 50 years of Studio Ceramics tradition at the National Art School

Callum Morton, Monument #29, 2009. Installation view, Sydney Contemporary, 2015. Image courtesy the artist and Roslyn Oxley9 Gallery, Sydney © the artist.

Callum Morton, Monument #29, 2009. Installation view, Sydney Contemporary, 2015. Image courtesy the artist and Roslyn Oxley9 Gallery, Sydney © the artist.

John R Walker, Six Days at Bundanon and I Give Thanks to Boyd, 2001, oil on canvas, 183 x 221 cm. Image courtesy Utopia Gallery, Sydney © the artist.

John R Walker, Six Days at Bundanon and I Give Thanks to Boyd, 2001, oil on canvas, 183 x 221 cm. Image courtesy Utopia Gallery, Sydney © the artist.

Abdullah M. I. Syed Weaving Myth VI: U.S. vs China from Flying Rug series 2013

Abdullah M. I. Syed Weaving Myth VI: U.S. vs China from Flying Rug series 2013

David Rowe, commissioned cartoon for Behind the Lines 2017, 2017

David Rowe, commissioned cartoon for Behind the Lines 2017, 2017

Frank Gohier, Cowgirl and Ringer (detail) 2004. Artbank collection, purchased 2005. Image courtesy and © the artist

Frank Gohier, Cowgirl and Ringer (detail) 2004. Artbank collection, purchased 2005. Image courtesy and © the artist

Meredith Woolnough, Mushroom Coral Mandala 2013, embroidery thread and pins on paper, 93 x 93cm. Image courtesy the artist.

Meredith Woolnough, Mushroom Coral Mandala 2013, embroidery thread and pins on paper, 93 x 93cm. Image courtesy the artist.

SES visitor experience
Anna McMahon, Untitled # 3 from the series Soft outcomes, 2016, neon, pitcher plants, 30cm x 28cm. Photo: Anna McMahon. Image courtesy the artist.

Anna McMahon, Untitled # 3 from the series Soft outcomes, 2016, neon, pitcher plants, 30cm x 28cm. Photo: Anna McMahon. Image courtesy the artist.

Karla Dickens, Clipped Wings at Murray Art Museum Albury, 2015. Image courtesy and © the artist.

Karla Dickens, Clipped Wings at Murray Art Museum Albury, 2015. Image courtesy and © the artist.

Melissa Deerson, Pigeon Project, 2014. Image courtesy and © the artist

Melissa Deerson, Pigeon Project, 2014. Image courtesy and © the artist

onetoeight - Australia's first prime ministers. Solo exhibition by alison alder

onetoeight - Australia's first prime ministers. Solo exhibition by alison alder

Installation view, artwork Linde Ivimey

Installation view, artwork Linde Ivimey

Photographer: Chu Chian, Images courtesy of Kuandu Museum of Fine Arts

Photographer: Chu Chian, Images courtesy of Kuandu Museum of Fine Arts

ransformation of the heritage building Macaria in Camden into an art gallery withDunn + Hillam Architects.

ransformation of the heritage building Macaria in Camden into an art gallery withDunn + Hillam Architects.

Franck Gohier's paintings and site specific new work commissioned by Justin Hemmes for Merivale's WIP (Work in Progress) Bar, 2014. Image courtesy and © the artist and Merivale. Photo: My Media Sydney

Franck Gohier's paintings and site specific new work commissioned by Justin Hemmes for Merivale's WIP (Work in Progress) Bar, 2014. Image courtesy and © the artist and Merivale. Photo: My Media Sydney