Michaela Gleave Eclipse Machine (Retrograde Motion) 2015, projection lamp, motors, optical glass, timber, stand. Courtesy the artist and Anna Pappas Gallery, Melbourne. Installation view at Belconnen Arts Centre
Frank Gohier, Cowgirl and Ringer (detail) 2004. Artbank collection, purchased 2005. Image courtesy and © the artist
Andrew Hurle One Chase Manhattan Plaza installation view in Creative Accounting. Courtesy the artist and Darren Knight Gallery Sydney
Mechelle Bounpraseuth, Breadface, 2016, ceramic, dimensions variable. Courtesy the artist
Detail of needlework by Joy Ivill. Courtesy the artist.
Alison Alder, The Prime Ministers' Wives and Me 2017. Courtesy the artist.
Ramesh Mario Nithiyendran, The Archipelago of Ramesh, installation view, Kuandu Museum of Fine Arts, Taiwan. Photographer: Chu Chian, Images courtesy of Kuandu Museum of Fine Arts
Concept drawings by ADM Architects
Transformation of the heritage building Macaria in Camden into an art gallery withDunn + Hillam Architects.
Ivan Muñiz Reed and Jess Johnson in conversation event at Darren Knight Gallery
Hannah Quinlivan Counter-weight exhibition catalogue .M Contemporary
Journal of Australian Ceramics (cover: Juz Kitson) vol 55 no 1, 2016
Tracey Deep, Spirit. Image courtesy of the artist
Hector Zamora, Material Inconstancy, Galeria Luciana Brito, 30th São Paulo Biennial, 2012
William Yakley, Listening to the Rolling Stones (Yeppoon), 1986
Robert Brain Mardi Gras 2005, tapestry. 110x80cm. Photograph: Michael Wee
Belinda Fox, cover image for the publication 'Back to the Start', 2015.
Art Collector (cover: Abdul Abdullah) issue 75, The 50 things collectors need to know in 2016
Tony Albert in New York, 2015. Portrait by Rico Kinnard.
Justin Cooper, I can’t see you, but you're always there_2 hour web search (detail), 112cm x 120cm, Touch Makers, Canvas, Gouache, Acrylic Paint and Ink Pen on Arches Paper collaged on Cedar Panel, 2015
Art Monthly (cover: Janet de Boos), number 281, 2015
Art Monthly (cover: Tony Albert), number 272, 2015